Campaign: Cinderheim, the Land Under the Demon Sun
Characters: Ka-Seti Blackhand, aasimar paladin; Shaasha, half-orc paladin; Tanni, human druid; Kyzzak Sloogh, lizardfolk sorcerer; Meatpie, tiefling monk.
The party had tracked the Seven Jade Disciples, a gang of raiders and desperadoes, to the mining town of Salamara. The party's motivation--REVENGE! Each of them were seeking vengeance for someone killed by the Seven Jade Disciples. Sweetening the deal, the warlord Lesedi Gheda had placed a bounty on the heads of the Disciples, payable in gold.
The first of the Disciples to die was Fareed, who was caught otherwise occupied with a prostitute in a brothel and didn't see the attack coming. For the rest of the melee, he fought stark naked. His lackeys entered the fray too late to save him; they were slain as well. Three down, four to go.
An impromptu game of demon chess with an old miner in the town alerted the party that the many of the miners in Salamara had been part of a warband led by Fareed and his brother Samir, so the village was largely loyal to the Seven Jade Disciples.
As the group prepared to find and kill Hassiba, the Seven Jade Disciples' sharpshooter, they were interrupted by the arrival of Phineas Sharpe on his giant lizard steed. Sharpe attempted to get the group to clear off, claiming to represent "the law" in the desert.
When the group wouldn't be dissuaded from their vengeful purpose, Sharpe offered to join forces with them and split the bounties fifty-fifty: half for him, half for the other five to divide among themselves. Surprisingly, the group agreed--but they were also using magic to secretly communicate among themselves and agreed to kill Sharpe when the job was done.
As they began to plan out how to take down Hassiba, Sharpe immediately proved his worth by taking a bolt to the back from the Disciples' sharpshooter. The group wouldn't have to worry about splitting their take or murdering the bounty hunter after all. Sharpe's corpse, however, did make for an effective shield. What followed was a dangerous fight (involving crossbow fire, hurled javelins, magical flame, martial arts, and heavy bludgeons) in which three members of the party were momentarily taken out--but they were ultimately victorious. Six down, one to go.
Just before the fatal blow fell on Hassiba, she looked to the strangely verdant hill in the distance and smiled. Using Sharpe's spyglass (he certainly didn't need it anymore), the party could see the last of the Seven Jade Disciples, Samir, atop the hill--seemingly conducting some sort of ritual. The group raced to meet him and conclude their vendetta.
As they neared him, his ritual was completed: he animated two of the corpses buried on the hill as zombies. Samir fell back, leaving the group to deal with his summoned undead. Tanni attempted to use Sharpe's giant lizard mount as a beast of war, but the unruly creature proved difficult to control. The zombies were dealt with, as was Samir--who had his wand slapped from his hand before he was killed and decapitated.
The Seven Jade Disciples had fallen; blood paid for blood.
REWARDS:
XP - 165.
Bounties on 7 Jade Disciples - 170 gp for each member of the party
Looted coin - 400 cp, 28 sp, 16 gp, 4 ep, 1 pp for each member of the party.
Gems - 1 gem worth 25 gp for each member of the party.
Magic items - Handy haversack, scroll of mage hand, scroll of mending.
Misc. items - Giant lizard mount, rifle (20 shots), pistol (20 shots), spyglass.
Friday, September 28, 2018
Tuesday, September 25, 2018
The Wild Boys
Episode 25: The Wild Boys
William S. Burroughs' The Wild Boys: A Book of the Dead is a psychedelic, stylized journey through a near-future world where roving gangs of gay youth are on a mission to destroy Western civilization. The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica. Join Jack and Kate as they discuss this ambitious, outrageous work of speculative fiction.
William S. Burroughs' The Wild Boys: A Book of the Dead is a psychedelic, stylized journey through a near-future world where roving gangs of gay youth are on a mission to destroy Western civilization. The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica. Join Jack and Kate as they discuss this ambitious, outrageous work of speculative fiction.
What was the impact of Burroughs on 90s Kids? How does the book translate the cinematic experience on to the page? What do our hosts make of the Beat Generation? Tune in to this episode of Bad Books for Bad People to find out!
BBfBP theme song by True Creature
Find us at BadBooksBadPeople.com, on Twitter @badbooksbadppl, Instagram @badbooksbadpeople and on Facebook. You can discover where to get all the books featured on Bad Books for Bad People on our About Page.
Monday, September 24, 2018
September's Horror - Week Three
In the run-up to October I'm trying to watch a horror movie every day. Here's what I've managed to watch in week three:
Sept. 16 - Tucker & Dale vs. Evil
Horror-comedy is incredibly difficult to pull off. While this ended up being lighter fare, I have to give it credit for having a pretty original premise.
Sept. 17 - Hush
You ever notice that in movies where a killer is terrorizing a deaf, blind, or mute person...that person is usually a woman? It kinda feels like these movies are fantasies about "helpless" women more than anything else, but at least this wasn't a terrible example of the genre.
Sept. 18 - The Girl With All the Gifts
Very Average. A good horror movie to show a brave child, perhaps.
Sept. 19 - Tusk
Why did I bother? Any potential here is poisoned by Kevin Smith's relentless wandering into lame indie comedy territory.
Sept. 20 - Mandy
The most "extreme metal" movie I have seen in a long time. Did not disappoint.
Sept. 21 - You're Next
Don't spring your home invasion murder scheme when there is an Australian girl who might get caught up in the madness--she will fuck you up, she is from Australia and she is used to everything trying to kill her.
Sept. 22 - Black Sunday
Unimpeachable, a forever favorite.
Sept. 23 - Child's Play
In retrospect, Child's Play is pretty clunky, but it's charming in the way that only clunky horror movies can be charming.
Sept. 17 - Hush
You ever notice that in movies where a killer is terrorizing a deaf, blind, or mute person...that person is usually a woman? It kinda feels like these movies are fantasies about "helpless" women more than anything else, but at least this wasn't a terrible example of the genre.
Sept. 18 - The Girl With All the Gifts
Very Average. A good horror movie to show a brave child, perhaps.
Sept. 19 - Tusk
Why did I bother? Any potential here is poisoned by Kevin Smith's relentless wandering into lame indie comedy territory.
Sept. 20 - Mandy
The most "extreme metal" movie I have seen in a long time. Did not disappoint.
Sept. 21 - You're Next
Don't spring your home invasion murder scheme when there is an Australian girl who might get caught up in the madness--she will fuck you up, she is from Australia and she is used to everything trying to kill her.
Sept. 22 - Black Sunday
Unimpeachable, a forever favorite.
Sept. 23 - Child's Play
In retrospect, Child's Play is pretty clunky, but it's charming in the way that only clunky horror movies can be charming.
Friday, September 21, 2018
New Wilde Books, Getting Women Into Trousers, Censored Dorian Gray




Forbidden love: the original Dorian Gray revealed, direct from Oscar Wilde's pen,
Donna Ferguson for The Guardian
Labels:
unholy misc
Monday, September 17, 2018
Jules de Grandin, Occult Detective
At the time when they were published, Seabury Quinn's stories for Weird Tales were among the publication's most popular titles, but today, his name has been eclipsed by his contemporaries H.P. Lovecraft and Robert E. Howard. In this episode, Kate and Jack explore Quinn's work by discussing his tales of the extremely French occult detective Jules de Grandin.
Is possession by the ghosts of evil knights the fastest way to artistic success? How effective is punching evil right in the goddamn face? Can we ever hope to tell if the real villain is an honest-to-goodness were-gorilla or just a bunch of Germans in masks? Find out the answers to these questions plus much more in this mini episode of Bad Books for Bad People.
BBfBP theme song by True Creature
Find us at BadBooksBadPeople.com, on Twitter @badbooksbadppl, Instagram @badbooksbadpeople and on Facebook. You can discover where to get all the books featured on Bad Books for Bad People on our About Page.
Is possession by the ghosts of evil knights the fastest way to artistic success? How effective is punching evil right in the goddamn face? Can we ever hope to tell if the real villain is an honest-to-goodness were-gorilla or just a bunch of Germans in masks? Find out the answers to these questions plus much more in this mini episode of Bad Books for Bad People.
BBfBP theme song by True Creature
Find us at BadBooksBadPeople.com, on Twitter @badbooksbadppl, Instagram @badbooksbadpeople and on Facebook. You can discover where to get all the books featured on Bad Books for Bad People on our About Page.
Sunday, September 16, 2018
September's Horror - Week Two
In the run-up to October I'm trying to watch a horror movie every day. Here's what I've managed to watch in week two:
September 8 - Ms. 45
Rape-revenge movies are generally uninteresting and derivative, but Ms. 45 possesses a strange feeling of magical realism (or perhaps urban fairy tale) that elevates it head-and-shoulders above other similar offerings.
Sept. 9 - The Killing of a Sacred Deer
Sept. 9 - The Killing of a Sacred Deer
This one has me bewildered. The purposefully stilted acting and inhuman dialog should illicit an automatic groan from me, but somehow this one defies its pretensions. But did I like it? No, not really.
Sept. 10 - The Lodgers
This had many of the things I'm a sucker for: Gothic horror, creaky haunted mansions, and deep-cut Irish history lurking in the background.
Sept. 11 - It Comes At Night
It Comes at Night is like an episode of The Walking Dead they forgot to put the zombies in.
Sept. 12 - Mausoleum
I love that the husband only begins to believe that his wife is possessed when she brings home a painting that is ~too surreal~
Sept. 13 - The Evil Within
A friend summed this one up better than I ever could: "Intensely weird entirely non-engaging."
Sept. 14 - Evilspeak
Carrie but with boys, and also with nothing that made Carrie interesting.
Sept. 15 - Angelica
While not perfect (dodgy cgi, dodgy merkin), this marriage of Henry James and Henrik Ibsen serves up psycho-sexual Gothic in Victorian garb. Not really horror, but I too favorable to the other elements of this to judge it on that merit alone.
BONUS CONTENT
Castle Rock
The only way the ending could have been more disappointing was if it were ~all a dream~
The Secret of Crickley Hall
Decent, but bland, supernatural thriller that needed more Gothic to really shine at what it was trying to do.
Sept. 10 - The Lodgers
This had many of the things I'm a sucker for: Gothic horror, creaky haunted mansions, and deep-cut Irish history lurking in the background.
Sept. 11 - It Comes At Night
It Comes at Night is like an episode of The Walking Dead they forgot to put the zombies in.
Sept. 12 - Mausoleum
I love that the husband only begins to believe that his wife is possessed when she brings home a painting that is ~too surreal~
Sept. 13 - The Evil Within
A friend summed this one up better than I ever could: "Intensely weird entirely non-engaging."
Sept. 14 - Evilspeak
Carrie but with boys, and also with nothing that made Carrie interesting.
Sept. 15 - Angelica
While not perfect (dodgy cgi, dodgy merkin), this marriage of Henry James and Henrik Ibsen serves up psycho-sexual Gothic in Victorian garb. Not really horror, but I too favorable to the other elements of this to judge it on that merit alone.
BONUS CONTENT
Castle Rock
The only way the ending could have been more disappointing was if it were ~all a dream~
The Secret of Crickley Hall
Decent, but bland, supernatural thriller that needed more Gothic to really shine at what it was trying to do.
Friday, September 14, 2018
Vampire Hunter D: Raiser of Gales
Hideyuki Kikuchi and Yoshitaka Amano, Vampire Hunter D: Raiser of Gales
I was still hungry from more Vampire Hunter after watching the two movies, and forgot (again) that the tone of the light novels is radically different from their animated counterparts. I'm not sure how much of this difference is the work of translation or present in the original, but it's safe to say that everybody in these books wants the D. All women find D mysterious and irresistible. There is a scene where schoolgirls openly lust after the vampire hunter. There are tons of moments where the men in the book are all "no homo, but I guess I'd fuqq." Even the authorial voice tries to suck D's dick; he's described variously as an "Adonis" or a "gorgeous god of death."
All of that gives Raiser of Gales a very googly-eyed teenagers-in-heat sort of vibe, which would fit the imagined audience for a light novel, but plays strangely against the book's grotty content; threats of rape are pretty common in Raiser of Gales, and the sexual abuse of a minor by trusted adults rears it's head as a plot point--as does a scene in which a character is orally raped by her adopted father. Of course, our heroine gets through the horrific ordeal by day-dreaming about D. She literally lies back and thinks of
The whiplash juxtaposition of overheated fantasy reverie and stark grittiness permeates the book as a whole. The action scenes are breathless four-color affairs, but Amano's illustrations grant them an emotional weight missing from the text itself. The writing dashes around madly--the sex scenes, in particular, feel like a virgin's rush to the finish line--but occasionally a truly poetic sentiment emerges out of nowhere, blindsiding what is otherwise a pretty trashy narrative style. The world-building is more implicit than explicit, and it's compelling: the world is far-future post apocalypse where ancient vampires have space-age technology and tamper with the genetic fabric of life itself. And yet, that world-building is essentially just a backdrop for D to do real cool shit. (FACT: Vampire Hunter D is the Mary-est of Mary Sues.) In the end, the book's convolutions don't add up to much, but hot damn I can't wait to waste a couple hours reading another one in the series.
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