New Wilde Books, Getting Women Into Trousers, Censored Dorian Gray

The Impossibility of Being Oscar, John Banville for The New York Review of Books

Oscar Wilde: The Unrepentant Years and Oscar's Ghost review - Wilde after prison, Colm Toibin for The Guardian

How Constance and Oscar Wilde Helped Get Women into Trousers, Natasha Frost for Atlas Obscura)

A Close Reading of the 'Censored' Passages of The Picture of Dorian Gray, Emily Temple for Lithub

Forbidden love: the original Dorian Gray revealed, direct from Oscar Wilde's pen, 
Donna Ferguson for The Guardian

Jules de Grandin, Occult Detective

Mini Episode 12: Jules de Grandin

At the time when they were published, Seabury Quinn's stories for Weird Tales were among the publication's most popular titles, but today, his name has been eclipsed by his contemporaries H.P. Lovecraft and Robert E. Howard. In this episode, Kate and Jack explore Quinn's work by discussing his tales of the extremely French occult detective Jules de Grandin.

Is possession by the ghosts of evil knights the fastest way to artistic success? How effective is punching evil right in the goddamn face? Can we ever hope to tell if the real villain is an honest-to-goodness were-gorilla or just a bunch of Germans in masks? Find out the answers to these questions plus much more in this mini episode of Bad Books for Bad People.

Listen here!

BBfBP theme song by True Creature

Find us at BadBooksBadPeople.com, on Twitter @badbooksbadppl, Instagram @badbooksbadpeople and on Facebook. You can discover where to get all the books featured on Bad Books for Bad People on our About Page.

September's Horror - Week Two

In the run-up to October I'm trying to watch a horror movie every day. Here's what I've managed to watch in week two:

September 8 - Ms. 45

Rape-revenge movies are generally uninteresting and derivative, but Ms. 45 possesses a strange feeling of magical realism (or perhaps urban fairy tale) that elevates it head-and-shoulders above other similar offerings.

Sept. 9 - The Killing of a Sacred Deer

This one has me bewildered. The purposefully stilted acting and inhuman dialog should illicit an automatic groan from me, but somehow this one defies its pretensions. But did I like it? No, not really.

Sept. 10 - The Lodgers
This had many of the things I'm a sucker for: Gothic horror, creaky haunted mansions, and deep-cut Irish history lurking in the background.

Sept. 11 - It Comes At Night
It Comes at Night is like an episode of The Walking Dead they forgot to put the zombies in.

Sept. 12 - Mausoleum
I love that the husband only begins to believe that his wife is possessed when she brings home a painting that is ~too surreal~

Sept. 13 - The Evil Within
A friend summed this one up better than I ever could: "Intensely weird entirely non-engaging."

Sept. 14 - Evilspeak
Carrie but with boys, and also with nothing that made Carrie interesting.

Sept. 15 - Angelica
While not perfect (dodgy cgi, dodgy merkin), this marriage of Henry James and Henrik Ibsen serves up psycho-sexual Gothic in Victorian garb. Not really horror, but I too favorable to the other elements of this to judge it on that merit alone.

BONUS CONTENT

Castle Rock
The only way the ending could have been more disappointing was if it were ~all a dream~

The Secret of Crickley Hall
Decent, but bland, supernatural thriller that needed more Gothic to really shine at what it was trying to do.

Vampire Hunter D: Raiser of Gales

Hideyuki Kikuchi and Yoshitaka Amano, Vampire Hunter D: Raiser of Gales
I was still hungry from more Vampire Hunter after watching the two movies, and forgot (again) that the tone of the light novels is radically different from their animated counterparts. I'm not sure how much of this difference is the work of translation or present in the original, but it's safe to say that everybody in these books wants the D. All women find D mysterious and irresistible. There is a scene where schoolgirls openly lust after the vampire hunter. There are tons of moments where the men in the book are all "no homo, but I guess I'd fuqq." Even the authorial voice tries to suck D's dick; he's described variously as an "Adonis" or a "gorgeous god of death."

All of that gives Raiser of Gales a very googly-eyed teenagers-in-heat sort of vibe, which would fit the imagined audience for a light novel, but plays strangely against the book's grotty content; threats of rape are pretty common in Raiser of Gales, and the sexual abuse of a minor by trusted adults rears it's head as a plot point--as does a scene in which a character is orally raped by her adopted father. Of course, our heroine gets through the horrific ordeal by day-dreaming about D. She literally lies back and thinks of England D. These books are fuckin' wild.

The whiplash juxtaposition of overheated fantasy reverie and stark grittiness permeates the book as a whole. The action scenes are breathless four-color affairs, but Amano's illustrations grant them an emotional weight missing from the text itself. The writing dashes around madly--the sex scenes, in particular, feel like a virgin's rush to the finish line--but occasionally a truly poetic sentiment emerges out of nowhere, blindsiding what is otherwise a pretty trashy narrative style. The world-building is more implicit than explicit, and it's compelling: the world is far-future post apocalypse where ancient vampires have space-age technology and tamper with the genetic fabric of life itself. And yet, that world-building is essentially just a backdrop for D to do real cool shit. (FACT: Vampire Hunter D is the Mary-est of Mary Sues.) In the end, the book's convolutions don't add up to much, but hot damn I can't wait to waste a couple hours reading another one in the series.

I Roved Out is Back With A Generous Handful of...Pages

The "warmly pornographic" fantasy webcomic I Roved Out in Search of Truth & Love went on hiatus after the print publication of the first volume, which was totally understandable given the amount of effort that went into successfully running a Kickstarter and creating a truly beautiful book. 

Well, I Roved Out is back from hiatus. I expected, I dunno, maybe ten new pages of the next arc to kick things out, but...Alexis Flower gifted us with something like eighty pages to herald the comic's return. Holy crow.

I'm posting some splashy images below to entice you to give the comic a read if you haven't yet. The panel work is also excellent, but I've avoided it for fear of dropping some spoilers on the uninitiated.

September's Horror - Week One

In the run-up to October I'm trying to watch a horror movie every day. Here's what I've managed to watch so far:

September 1: Carnival of Souls

I find the gentle spectrality of Carnival of Souls to be especially charming. I've watched this one many times, and I feel like I can always just put it on and relax, oddly enough.

September 2: Trilogy of Terror

Three Richard Matheson adaptations, all starring Karen Black. The first two segments are slight, but the capstone segment with the Zuni fetish doll is still frenzied enough to be noteworthy.

September 3: Burnt Offerings

We really need to bring back the 70s-style downbeat ending. Stunning haunted house flick.

September 4: Alice, Sweet Alice

The grotty social world surrounding the characters in Alice, Sweet Alice (the pedophile neighbor with the horrifically stained pants, the police detective with nudie pin-ups surrounding his desk, the police psychologist who comments on an underaged girl's "tits," the too-friendly relationship between the mother and the family's priest, etc.) makes the murder of a young girl at her first communion feel strangely inevitable.

September 5: Stir of Echoes

Decent, but really predictable and devoid of surprises. This one definitely got eclipsed by The Sixth Sense. Also, it feels like it's trapped in the late 90s.

September 6: Children Shouldn't Play With Dead Things

Low budget and goofy, but fun. Surprisingly downbeat ending.

September 7: Halloween III

A classic "bad" movie. You ever steal a chunk of Stonehenge to make microchips that turn kids' heads into masses of writhing vermin because you're a druid? Yeah, me neither.

Let's Read Wayfinder's Guide to Eberron: Sharn, the City of Towers

Where the previous chapters of Wayfinder's Guide to Eberron gave a broad-strokes overview of the setting as a whole, the last full chapter focuses on a specific section of the world: Sharn, the City of Towers. Sharn is the Big City of Eberron; in many ways, Sharn is emblematic of the setting overall. Before digging into the metropolis, the chapter takes a look at the player character backgrounds presented in the Player's Handbook and offers suggestions on integrating them into Sharn. Unfortunately, each background only gets a meager d4 random table of Sharn-centric origins.

Sharn, as its "City of Towers" sobriquet indicates, is a city constructed from fantastically tall spires. The city's verticality is more important than its horizontal urban spread; the city's populace is stratified according to the height of the city they inhabit. The wealthy live in the highest heights of the city--this is where you find opulence, and where the City Watch is very active in suppressing crime. The middle heights are inhabited by middle-class citizens--and their shops, business, entertainments, and homes, as well as a City Watch presence that generally keeps the peace. The lower depths of the city house a mix of laborers, the destitute, and war refugees--this is the most dangerous part of the city, where the Watch doesn't dare intervene. These divisions are generalizations; the facts of city life vary a bit neighborhood by neighborhood.

Since Sharn is such a vertical city, traversing it entails walking across bridges and ramps, as well as magical lifts and gondola-like skycoaches that take advantage of Sharn's naturally occurring flight-enabling magic. Flying mounts are also a common sight within the city.

Next comes brief descriptions--complete with adventure seeds--of Sharn's districts:

• Central Plateau, where wealth and power congregate.
• Dura Quarter, the oldest section of the city, now fallen into ruin, poverty, and misery.
• Menthis Plateau, the entertainment quarter, also home to Breland's most prominent university.
• Northedge Quarter, a quiet residential area.
• Tavick's Landing Quarter, a place of coming and going.

Aside from the five districts of the city, it also has Cliffside docks, an enchanted ward called Skyway that floats above the city, the ruins of a previous city beneath the streets, and tunnels that lead to magma used for industrial production in the Cogs.

Beyond describing the city through its constituent parts, this chapter also has information on the practical matters of using the city as a whole, such as yearly events that characters could get mixed up in, communication in the city (letter boxes, gargoyle delivery service!!!), and what happens when you fall from one of Sharn's many bridges (you probably land on another bridge, and some of them are imbued with a feather fall effect).

Given the murderhobo proclivities of adventurers, we also have a section on criminal activities in Sharn, including information on the Boromar Clan (a halfling criminal syndicate), Daask (a criminal organization of monsters within the lower parts of the city), House Tarkanan (thieves and assassins possessing aberrant dragonmarks), and the Tyrants (changeling and doppelganger blackmailers and forgers). We also get information on dreamlily, an addictive drug that adds a nice grotty sheen to the Weimar-esque decadence of Sharn.

Capping this section of the pdf off are a set of "starting points," places you might start a new campaign set in Sharn. Included are notes on:

• Callestan, dark Western-esque adventure in the lower wards of the city.
• Clifftop, pulp adventure with possible jaunts to uncharted lands.
• Morgrave University, light-hearted, Harry Potter-esque coming of age adventures.

We also get random tables for quick adventure outlines, encounters on the streets of Sharn, suggestions for further reading among Eberron's back catalog of gaming materials and novels, a glossary of proper names used throughout the document (that is very helpful as a setting reference), images of the crests of all the dragonmarked houses, and full color maps of the setting.

Full review, section by section
Chapter One: What is Eberron?
Chapter Two: Welcome to Khorvaire
Chapter Three: Races of Eberron

Chapters Four and Five: Dragonmarks and Magic Items